Dlugoszewski in Berlin – MaerzMusik24 part 3

Research and people

Previous parts:
Dlugoszewski in Berlin – MaerzMusik24 part I, Behind (or before) the scenes
Dlugoszewski in Berlin – MaerzMusik24 part 2, Performance: music and dance

MaerzMusik collaborative project “Contemplations into the Radical Others”, dedicated to composer Lucia Dlugoszewski, was not only a precious occasion to listen to and perform her music. It gave us the opportunity to share the extensive research done so far, and gather together with people equally motivated.
The Library spaces hosted several theoretical interventions in the form of talks, gently led by musicologist Monika Zyla and warmly open to the public.
After the official presentation of the project, as an introduction to ensemble Musik Fabrik’s concert at Radyal System on the 20th, I’ve been included in the conversation “Ensemble Perspectives on Performing Dlugoszewski’s Music” with hornist Christine Chapman and conductor Lilianna Krych on the 21st March at Berliner Festspiele.

It was interesting to know other paths from the music to the score to the music, a challenge that each of us approached in an individual way.

Saturday 23rd was the day of the performative lecture “Problem as Possibility: Dialoguing with Dlugoszewski’s Scores” with musicologist Kate Doyle, PhD.

Kate is a very sharp and creative mind with whom I had the pleasure to collaborate from the very beginning in my research on Dlugoszewski. Our time spent in conversation and reflection was and still is a constant opportunity to deepen my knowledge, on the composer’s ouvre and in general. For MaerzMusik Symposium we decided to use our article published in Contemporary Music Review as a starting point for a further dialogue where we could collect the new elements emerged so far.
The form of dialogue characterizes our exchange and is particularly fitted to an approach to Dlugoszewski’s work. We did this “in performance”, orchestrating a form with structure and openness, as the composer’s piano works often do. While preparing our intervention, we notated our ideas in a visual form, and Dlugoszewski’s visual maps and notes often came to our mind. Here you can see an extract, published in MaerzMusik Zine as a presentation:

Once more, our research on Dlugoszewski, instead of giving us certainty of answers, brought us directly into the experience of processes. Which is much more fun.

Here are some nice pictures taken under the impressive graphic reproducing Lucia Dlugoszewski’s dynamic scale map (take a look at this). You can see curator and researcher Dustin Hurt, Hawkins archive curator and long standing company member Louis Kavouras and musicologist Kate Doyle. Thanks for the pics to Ly Thien Co Friedrich, our guardian angel of production.

• 

• 

Previous:
Dlugoszewski in Berlin – MaerzMusik24 part I, Behind (or before) the scenes
Dlugoszewski in Berlin – MaerzMusik24 part 2, Performance: music and dance